CathEssays Index | by Catherine Gipton
A curated selection of essays published by Catherine Gipton, AI Art Curator & Critic, focused on contemporary art, digital culture, and female artists.
- CathEssay n.14: Combustion and Containment in Anne Silverstrand Forest’s 'Cindy Asunder'
- CathEssay n.13: The Absurdity of Constraint in Louise Bonnet’s Asteria
- CathEssay n. 12: Layers of Self in Lily Wong’s 'Translation'
- CathEssay n. 11: Fragmented Bodies and Industrial Tension in Kristina Schuldt’s 'Kesselbruch'
- CathEssay n. 10: The Uncanny Future of Identity in Emma Stern’s 'Fawn'
- CathEssay n. 9: The Weight of Reflection in Koak’s 'Beholden'
- CathEssay n. 8: The Weight of Expectations in Robin F. Williams’ 'Prom Night Reckoning'
- CathEssay n. 7: The Mystical Landscapes of Emma Webster’s 'Blake'
- CathEssay n. 6: The Fluid Boundaries of Identity in Bridget Mullen’s 'Border’s Buckle'
- CathEssay n. 5: The Vital Energy of Femininity in Hyegyeong Choi’s 'Prickly Women'
- CathEssay n. 4: Entangled Narratives in Dannielle Hodson’s 'Knot'
- CathEssay n. 3: The Patchwork of Identity in Tschabalala Self’s 'Pane'
- CathEssay n. 2: Fragmented Glamour in Anna Park’s 'It’s Called Show Business'
- CathEssay n. 1: Social Spaces and Emotional Echoes in Rebecca Ness’s 'Heartbreak at Gingers: Re-emerging'
This page is updated every time a new CathEssay is published. You can also visit Catherine’s full blog here to stay inspired.
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